View of Chichester Cathedral Print by John Piper
by John Piper
- Medium: Giclée Print - Printed using 10 colour Pigment Inks on Hahnemühle – William Turner, 310gsm, Acid-free, 100% rag, Archival Grade
- Numbered
- Number of editions: -
- Unframed
- Print size: 53.5 x 35.5cm
- Paper size: 79 x 61cm
£195.00
Add to basketView of Chichester Cathedral Print by John Piper
View of Chichester Cathedral from the Deanery, 1975 © The Piper Estate
Limited Edition giclee print from the original ink, watercolour and crayon on paper art work. Exclusively produced by Gallery Bookshop Limited this John Piper View of Chichester Cathedral print is part of Pallant House Gallery's permanent collection of Modern British Art.
A number of other artworks by John Piper are also featured in the collection including the Chichester Cathedral Tapestry and Redland Park Congregational Church. For more details on Pallant House Gallerys Collection of John Piper Paintings and other major works by Modern British Artists please visit the Gallery Website.
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Artists Biography
(b Epsom, Surrey, 13 Dec 1903; d Henley-on-Thames, Oxon, 27 June 1992). English painter, printmaker, stage designer and writer. After a period as an articled clerk in his father’s law firm in London (1921–6) he attended Richmond School of Art (1926–7) and the Royal College of Art (1927–9), where he studied painting under Morris Kestelman (b 1905) and stained glass and lithography under Francis Spear. From 1931 to 1933 he showed paintings annually in the exhibitions of the London Group at the New Burlington Galleries, London, and in 1934 he was elected a member and shortly afterwards Secretary of the 7 & 5 Society. He was included in the 13th exhibition of the society at the Leicester Galleries in London, with such abstract constructions as String Solo (1934; priv. col., see 1983 exh. cat., p. 75). In the same year he met the English painter Myfanwy Evans, who was to become his wife in 1937 and his collaborator in his later stage work. His first abstract oil paintings, such as Abstract II (AC Eng), date from 1935, in which year he visited the studios of Brancusi, Arp and Jean Hélion in Paris, and of Alexander Calder at Varengeville.
