Billingsgate Fish Market Print by Edward Bawden
- Medium: Lithograph
- Numbered
- Number of editions: 225
- Unframed
- Print size: 71cm (H) x 57cm (W)
£225.00
Add to basketBillingsgate Fish Market Print by Edward Bawden
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A new lithograph of the key plate of Billingsgate Fish Market taken from the original lino block. This print has recently been produced in 2009 by the Curwen Studio in agreement with the Edward Bawden Estate. (Please note: This print is unsigned)
A rare opportunity to buy an original Edward Bawden lithograph which has been reproduced in the same way as the original limited edition prints in 1967.
FREE UK DELIVERY!
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Artists Biography
(b Braintree, Essex, 10 March 1903; d Saffron Walden, Essex, 21 Nov 1989). English printmaker, graphic designer, illustrator and painter. He studied at the School of Art in Cambridge (1918–22) and at the Design School of the Royal College of Art (1922–6), where he was a contemporary of Eric Ravilious and was taught by Paul Nash. While still a student he and Ravilious were commissioned by Sir Joseph Duveen to paint a mural at Morley College (destr. 1940; repainted as the Canterbury Tales in 1958), London. After graduating he worked on a large variety of projects for the Curwen Press at Plaistow, London, and subsequently for many other publishers, producing book illustrations and cover designs, posters and advertisements, leaflets and calendars, including commissions for Shell-Mex, Westminster Bank and the London Transport Board. He held his first one-man show, mainly of landscapes showing the influence of Nash, at the Zwemmer Gallery in London in 1933. During World War II he served as an Official War Artist in the British Army, travelling to Belgium, France and the Middle East and portraying such places as Roman Catholic Church at Addis Ababa (1941; London, Tate). His later work, particularly as a graphic designer, is notable for its simplicity of line and its wit, but he also returned to large-scale mural painting, including murals for the Lion and Unicorn Pavilion at the Festival of Britain, London (1950–51); the British pavilion at Expo ’67, Montreal; and Edward Bawden’s Oxford at Blackwell’s Bookshop (1972–3), Oxford. He also became well-known for his linocuts, among them Nine London Monuments (Editions Alecto, 1966; see Howes, pp. 96–7) and Six London Markets (Curwen Prints, 1967; see Howes, p. 98).
