Eric Gill: The Inscriptions

Eric Gill was one of the major English artist-craftsmen of the twentieth century. Well known as a type designer, sculptor and engraver, he was also pre-eminent as a letter carver, producing some of the most elegant inscriptions ever seen. Over 900 items are shown here, ranging from his first inscription on stone in 1901 to his design for his gravestone in 1940.

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• Eric Gill: The Sculpture £40.00£29.95
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• Eric Gill: The Inscriptions £29.99£16.00
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Artists Biography

(b Brighton, 22 Feb 1882; d Harefield, Middx [now in London], 17 Nov 1940). English sculptor, letter-cutter, typographic designer, calligrapher, engraver, writer and teacher. He received a traditional training at Chichester Technical and Art School (1897–1900), where he first developed an interest in lettering. He also became fascinated by the Anglo-Saxon and Norman stone-carvings in Chichester Cathedral. In 1900 Gill moved to London to become a pupil of William Douglas Caröe (1857–1938), architect to the Ecclesiastical Commissioners. He took classes in practical masonry at Westminster Institute and in writing and illuminating at the Central School of Art and Design, where he was deeply influenced by the calligrapher Edward Johnston. Johnston’s meticulous training was to be a perfect preparation for Gill’s first commissions for three-dimensional inscriptions in stone, the foundation stone for Caröe’s St Barnabas and St James the Greater in Walthamstow, London, and the lettering for the lychgate at Charles Harrison Townsend’s St Mary’s, Great Warley, Essex. Further commissions followed after Gill left Caröe in 1903 to work with E. S. Prior of the Art Workers’ Guild. He also undertook his first typographical work, for example for Heal’s advertisements.

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